About
I make the art.
I create work that lives somewhere between past and present—where forgotten things are given a second life.
My process isn’t traditional. Much of my digital work is built piece by piece, often starting with fragments—old photographs, textures, or ideas that feel like they’ve already lived a life before I found them. I’m drawn to contrast: elegance and humor, nostalgia and disruption, beauty with just enough unease to make you look twice.
Alongside my digital work, I also create charcoal pieces—slower, more deliberate, and rooted in a more traditional approach. Where the digital allows for reconstruction and experimentation, charcoal is about restraint, texture, and capturing something that feels timeless. The two mediums may differ in process, but they share the same intention: to create work that lingers.
The A Piece of History series began unintentionally. I purchased vintage Victorian photo albums to hold my own wedding memories, only to find them filled with original portraits—real people, long forgotten. I couldn’t throw them away. Instead, I chose to reimagine them, preserving their presence while giving them a new story.
That balance—between honoring what was and creating something entirely new—is at the core of everything I make.
Outside of my artwork, my life is rooted in hands-on work—construction, land, and problem-solving. That contrast carries into my art as well: detailed, deliberate, and built with intention.
This isn’t mass-produced work. It’s assembled, shaped, and reworked until it feels right.
Because some things deserve more than being forgotten.
